Union
The Union set opens in a cool tempo when the band enters into a deep meditation, playing ''Happiness'' with Muriel picking up the tenor saxophone in a composition from her 2016 album Natural Time, a compositional embodiment and a reminder of why she caught the wide interest and imagination of dedicated listeners. When Llorenç picks up the groove on the Hammond bass pedals, you can instantly feel the tension growing and from that moment on, I realized it’s going to be one hell of a ride. Radomir Milojkovic takes the first solo, playing intricate bebop lines coupled with extraordinary excursions into blues.
Union
The Union set opens in a cool tempo when the band enters into a deep meditation, playing ''Happiness'' with Muriel picking up the tenor saxophone in a composition from her 2016 album Natural Time, a compositional embodiment and a reminder of why she caught the wide interest and imagination of dedicated listeners. When Llorenç picks up the groove on the Hammond bass pedals, you can instantly feel the tension growing and from that moment on, I realized it’s going to be one hell of a ride. Radomir Milojkovic takes the first solo, playing intricate bebop lines coupled with extraordinary excursions into blues.
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Description
The Union set opens in a cool tempo when the band enters into a deep meditation, playing ''Happiness'' with Muriel picking up the tenor saxophone in a composition from her 2016 album Natural Time, a compositional embodiment and a reminder of why she caught the wide interest and imagination of dedicated listeners. When Llorenç picks up the groove on the Hammond bass pedals, you can instantly feel the tension growing and from that moment on, I realized it’s going to be one hell of a ride. Radomir Milojkovic takes the first solo, playing intricate bebop lines coupled with extraordinary excursions into blues.
